Topeng Jepang Oni

Belanja di App banyak untungnya:

Belanja di App banyak untungnya:

Topeng oni adalah salah satu jenis topeng tradisional Jepang yang paling terkenal dan menarik. Topeng ini memiliki nilai seni dan budaya yang tinggi. Topeng ini juga menjadi inspirasi bagi banyak karya seni modern, seperti anime, manga, film, atau tato. Topeng oni menunjukkan bagaimana masyarakat Jepang memandang dunia supranatural dan makhluk-makhluknya. Topeng ini juga merefleksikan sisi gelap dan terang dari manusia itu sendiri.

Dalam artikel ini, kita akan membahas tentang topeng oni secara lebih mendalam. Kita akan melihat asal-usul, jenis-jenis, makna, dan peranan dari topeng oni dalam kebudayaan Jepang. Kita juga akan melihat contoh-contoh penggunaan topeng oni dalam seni dan budaya populer Jepang. Mari kita mulai!

Sumber: Download Oni Mask Picture HQ PNG Image | FreePNGImg (freepngimg.com)

Sumber: Download Oni Mask Picture HQ PNG Image | FreePNGImg (freepngimg.com)

Oni adalah setan atau iblis dalam cerita rakyat Jepang. Oni biasanya digambarkan sebagai makhluk besar dan kuat dengan kulit berwarna merah, biru, kuning, hitam, atau hijau. Mereka memiliki gigi panjang, tanduk, rambut panjang, dan mata besar. Mereka sering membawa senjata seperti gada atau pedang.

Topeng oni adalah topeng yang menggambarkan wajah oni dengan ciri-ciri tersebut. Pada zaman dahulu, topeng oni biasanya terbuat dari kayu. Namun sekarang bisa juga terbuat dari kertas, karton atau plastik. Topeng oni sering digunakan dalam festival setsubun, yaitu perayaan untuk mengusir roh jahat dan menyambut musim semi. Topeng oni juga muncul dalam teater tradisional Jepang, seperti noh dan kabuki, sebagai simbol dari kejahatan, kekerasan, atau kekuatan .

Sumber: The 5 Best Oni Masks | Plus DIY Japanese Devil Mask Crafts - Product Reviews and Ratings (top5reviewed.com)

Sumber: The 5 Best Oni Masks | Plus DIY Japanese Devil Mask Crafts - Product Reviews and Ratings (top5reviewed.com)

Topeng oni memiliki sejarah yang panjang dan berasal dari berbagai sumber. Salah satu teori mengatakan bahwa topeng oni terinspirasi dari penampilan bajak laut yang datang dari perairan sekitar Rusia. Kulit para bajak laut yang putih berwarna merah karena terkena sinar matahari. Penduduk Jepang yang tidak pernah melihat orang asing sebelumnya mengira mereka adalah oni. Teori lain mengatakan bahwa topeng oni berasal dari pengaruh agama Buddha, yang memasukkan konsep gui atau roh dalam kepercayaan lokal. Gui adalah roh orang yang meninggal dan tinggal di dunia bawah. Gui bisa menjadi baik atau jahat, tergantung pada karma mereka. Gui yang jahat disebut dengan oni.

Topeng oni memiliki makna yang berbeda-beda tergantung pada konteks dan warnanya. Secara umum, topeng oni melambangkan sifat-sifat negatif seperti kemarahan, keserakahan, kebodohan, atau kekejaman. Namun, topeng oni juga bisa memiliki makna positif seperti keberanian, perlindungan, atau keberuntungan. Misalnya, topeng oni berwarna merah bisa melambangkan kekuatan dan keberanian untuk menghadapi rintangan. Topeng oni berwarna biru bisa melambangkan perlindungan dari roh jahat atau penyakit. Topeng oni berwarna kuning bisa melambangkan kebijaksanaan dan pengetahuan.

Lihat Seni Selengkapnya

Belanja di App banyak untungnya:

Japanese mythological creatures

An oni (鬼) ( OH-nee) is a kind of yōkai, demon, orc, ogre, or troll in Japanese folklore. They are believed to live in caves or deep in the mountains.[2] Oni are known for their superhuman strength and have been associated with powers like thunder and lightning,[2] along with their evil nature manifesting in their propensity for murder and cannibalism. They are typically portrayed as hulking figures with one or more horns growing out of their heads, massive teeth, and occasionally a third eye in the center of the forehead.[3][4] They are typically depicted with red, blue, black, or yellow colored skin, wearing loincloths of tiger pelt, and carrying iron kanabō clubs.[4] They also have three to six digits on each hand and foot tipped with claw-like nails.[5] Oni are able to change their looks to fool their victims into trusting them. Oni can be male or female, but have been predominantly male throughout history.[6] Female oni are sometimes referred to by the name Yamauba. When in disguise, oni are capable of appearing as a man or woman, regardless of their gender.[7] As monstrous as oni are, they have been linked to bringing good fortune and wealth.[8]

During the Heian period (794–1185), oni were often depicted in Japanese literature, such as setsuwa, as terrifying monsters that ate people. A prominent depiction of oni is that they eat people in one mouthful, which is called "onihitokuchi". In Nihon Ryōiki, The Tales of Ise and Konjaku Monogatarishū, for example, a woman is shown being eaten in one mouthful by a oni.[9] There is the theory that the reason why stories of onihitokuchi were common is that wars, disasters, and famines where people lose their lives or go missing were interpreted as oni from another world appearing in the present world who take away humans.[10]

It was not until the legend of Shuten-dōji was created that the oni began to be depicted in paintings,[11] and the 14th century Ōeyama ekotoba (大江山絵詞) is the oldest surviving emakimono (picture scroll) depicting Shuten-dōji. Shuten-dōji has been regarded as the most famous and strongest oni in Japan. The legend of Shuten-dōji has been described since the 14th century in various arts, traditional performing arts and literature such as emakimono, jōruri, noh, kabuki, bunraku, and ukiyo-e. The tachi (Japanese long sword) "Dōjigiri" with which Minamoto no Yorimitsu decapitated Shuten-dōji' in the legend is now designated as a National Treasure and one of the Tenka-Goken (Five Greatest Swords Under Heaven).[12][13]

They are popular characters in Japanese art, literature, and theater[14] and appear as stock villains in the well-known fairytales of Momotarō (Peach Boy), Issun-bōshi, and Kobutori Jīsan. Although oni have been described as frightening creatures, they have become tamer in modern culture as people tell less frightening stories about them like Oni Mask and Red Oni Who Cried.

Etymology, change of meaning

Oni, written in kanji as 鬼, is read in China as guǐ (pinyin), meaning something invisible, formless, or unworldly, in other words, a 'ghost' or the 'soul of the dead'. On the other hand, the Japanese dictionary Wamyō Ruijushō (和名類聚抄) written in Japan in the 10th century explained the origin of the word oni as a corruption of on/onu (隠), meaning 'to hide'. The dictionary explained that oni is hidden and does not want to reveal itself. When the character for 鬼 was first introduced to Japan, it was pronounced as ki (キ) in the on'yomi reading.[11][15][16]

The character 鬼 has changed over time in Japan to become its own entity, and there are significant differences between the Japanese oni (鬼) and the Chinese guǐ (鬼). The Chinese guǐ generally refers to the disembodied spirits of the dead and are not necessarily evil. They usually reside in the underworld, but those with a grudge sometimes appear in the human world to haunt, and Taoist priests and others have used their supernatural powers to exterminate them. Japanese oni (鬼), on the other hand, are evil beings that have substance, live in certain places in the human world, such as mountains, have red or blue bodies with horns and fangs, are armed with kanabō (metal clubs), and can be physically killed by cutting with Japanese swords.[17][11][15]

The Izumo no Kuni Fudoki (出雲国風土記) and Nihon Shoki (日本書紀) are the earliest written examples of oni as entities rather than soul of the dead. The Izumo no Kuni Fudoki, whose compilation began in 713, tells the story of a one-eyed oni who ate a man. Nihon Shoki, completed in 720, tells of a hat (kasa)-wearing oni watching the funeral of Emperor Saimei from the top of Mount Asakura. The character for 鬼 is believed to have been read as oni when the Nihon Shoki was completed,[15] and was also read as kami, mono, and shiko in the Heian period. In Konjaku Monogatarishū (今昔物語集), the character for 鬼 is read as mono. It was not until the end of the Heian period that the reading of oni for the character 鬼 became almost universal.[16]

Particularly powerful oni may be described as kishin or kijin (literally "oni god"; the "ki" is an alternate character reading of "oni"), a term used in Japanese Buddhism to refer to Wrathful Deities.

The oni was syncretized with Hindu-Buddhist creatures such as the man-devouring yaksha and the rakshasa, and became the oni who tormented sinners as wardens of Hell (Jigoku), administering sentences passed down by Hell's magistrate, King Yama (Enma Daiō). The hungry ghosts called gaki (餓鬼) have also been sometimes considered a type of oni (the Kanji for "ki" 鬼 is also read "oni"). Accordingly, a wicked soul beyond rehabilitation transforms into an oni after death. Only the very worst people turn into oni while alive, and these are the oni causing troubles among humans as presented in folk tales.

Some scholars have even argued that the oni was entirely a concept of Buddhist mythology.

Oni bring calamities to the land, bringing about war, plague/illness, earthquakes, and eclipses. They have the destructive power of lightning and thunder, which terrifies people through their auditory and visual effects.

Most Japanese folklore come from the Kojiki (古事記, "Records of Ancient Matters" or "An Account of Ancient Matters") and Nihongi (日本紀, "Japanese Chronicles"). These stories are the history and development of Japan in ancient times. At the beginning of time and space, Takamagahara (高天原, "Plane of High Heaven" or "High Plane of Heaven") came into being, along with the three divine beings Amenominakanushi (天之御中主, The Central Master or "Lord of the August Center of Heaven"), Takamimusubi (高御産巣日神, "High Creator"), and Kamimusubi (神産巣日, The Divine Creator).[18] These three divine beings were known as Kami,[19] and the three together are sometimes referred to as Kotoamatsukami (別天神, literally "distinguishing heavenly kami"). They manifested the entire universe.[19] They were later joined by two more Kami, Umashiashikabihikoji (宇摩志阿斯訶備比古遅神, Energy) and Amenotokotachi (天之常立神, Heaven).

Finally, two lesser Kami were made to establish earth, Izanagi (イザナギ/伊邪那岐/伊弉諾, meaning "He-who-invites" or the "Male-who-invites") and Izanami (イザナミ, meaning "She-who-invites" or the "Female-who-invites").[20] These two were brother and sister. They also are married and had many children, one of them being Kagutsuchi (カグツチ, Fire).[21] Upon birth, Kagutsuchi mortally wounded Izanami, who went to Yomi (黄泉, 黄泉の国, World of Darkness) on her death[22] and was transformed into a Kami of death.[23] Izanami, who gave life in the physical world, continued to do so in the underworld, ultimately creating the very first oni.

According to Chinese Taoism and esoteric Onmyōdō, the ways of yin and yang, the northeasterly direction is termed the kimon (鬼門, "demon gate") and considered an unlucky direction through which evil spirits passed. Based on the assignment of the twelve zodiac animals to the cardinal directions, the kimon was also known as the ushitora (丑寅), or "Ox Tiger" direction. One hypothesis is that the oni's bovine horns and tiger-skin loincloth developed as a visual depiction of this term.[24]

Temples are often built facing that direction, for example, Enryaku-ji was deliberately built on Mount Hiei which was in the kimon (northeasterly) direction from Kyoto in order to guard the capital, and similarly Kan'ei-ji was built towards that direction from Edo Castle.[27][28]

However, skeptics doubt this could have been the initial design of Enryaku-ji temple, since the temple was founded in 788, six years before Kyoto even existed as a capital, and if the ruling class were so feng shui-minded, the subsequent northeasterly move of the capital from Nagaoka-kyō to Kyoto would have certainly been taboo.[29]

Japanese buildings may sometimes have L-shaped indentations at the northeast to ward against oni. For example, the walls surrounding the Kyoto Imperial Palace have notched corners in that direction.[30]

The traditional bean-throwing custom to drive out oni is practiced during Setsubun festival in February. It involves people casting roasted soybeans indoors or out of their homes and shouting "Oni wa soto! Fuku wa uchi!" ("鬼は外！福は内！", "Oni go out! Blessings come in!"), preferably by a strong wrestler.[32]

This custom began with the aristocratic and samurai classes in the Muromachi period (1336–1573). According to the Ainōshō (壒嚢鈔),[33] a dictionary compiled in the Muromachi period, the origin of this custom is a legend from the 10th century during the reign of Emperor Uda. According to the legend, a monk on Mount Kurama threw roasted beans into the eyes of oni to make them flinch and flee. Another theory is that the origin of this custom lies in the word 豆 (mame), which means bean. The explanation is that in Japanese, まめ, マメ (mame) can also be written as 魔目 (mame), meaning the devil's eye, or 魔滅 (mametsu), meaning to destroy the devil. During the Edo period (1603–1867), the custom spread to Shinto shrines, Buddhist temples and the general public.[34][35][36]

Regionally around Tottori Prefecture during this season, a charm made of holly leaves and dried sardine heads are used as a guard against oni.[37][38]

There is also a well-known game in Japan called oni gokko (鬼ごっこ), which is the same as the game of tag that children in the Western world play. The player who is "it" is instead called the "oni".[39]

Oni are featured in Japanese children's stories such as Momotarō (Peach Boy), Issun-bōshi, and Kobutori Jīsan.

In more recent times, oni have lost some of their original wickedness[citation needed] and sometimes take on a more protective function. Men in oni costumes often lead Japanese parades to dispel any bad luck, for example.

Japanese buildings sometimes include oni-faced roof tiles called onigawara (鬼瓦), which are thought to ward away bad luck, much like gargoyles in Western tradition.[41]

Many Japanese idioms and proverbs also make reference to oni. For example, the expression "Oya ni ninu ko wa oni no ko" (親に似ぬ子は鬼の子) (Translation: "A child that does not resemble its parents is the child of an oni.") may be used by a parent to chastise a misbehaving child.[42]

They can be used in stories to frighten children into obeying because of their grotesque appearance, savage demeanor, as well as how they can eat people in a single gulp.[43]

) Threatens a Demon (Oni) in the Palace at Night.

New Forms of Thirty-Six Ghosts: Omori Hikoshichi carrying a woman across a river; as he does so, he sees that she has horns in her reflection. Ukiyo-e Printed by Tsukioka Yoshitoshi.

Oni in pilgrim's clothing.

, ink and color on paper. 59.2 by 22.1 centimetres (23.3 in × 8.7 in)

Depiction of an oni chanting a Buddhist prayer. The oni (ogre or demon) is dressed in the robes of a wandering Buddhist priest. He carries a gong, a striker, and a hogacho (Buddhist subscription list). By Kawanabe Kyōsai, 1864.

The oni remains a very popular motif in Japanese popular culture. Their varied modern depiction sometimes relies on just one or two distinctive features which mark a character as an oni, such as horns or a distinctive skin colour, although the character may otherwise appear human, lacking the oni's traditionally fearsome or grotesque features. The context of oni in popular culture is similarly varied, with instances such as appearances in animated cartoons, video games and use as commercial mascots.[citation needed]

Wikimedia Commons has media related to